The weary teacher often wishes she could make this demand at the point of a pistol, and thus insure results. The continual repetition of "hands up," "wrists up," is exhausting. Yet pupils do not realize the importance of this injunction. They continue to play with their wrists sagging below the keyboard, which not only presents a poor appearance but makes the playing weak.
The wrist should be held in a level line with the elbow and middle knuckles, for ordinary playing. Sometimes it should be raised higher when much force is required, and sometimes dropped to mellow the tone, as in chords. But the "standard" position is the level one.
About this article
This article, written by Marjorie Gleyre Lachmund, was taken from the May 1923 issue of "Etude Musical Magazine."
Emily Sigers
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